Results 31 to 40 of about 1,340 (121)
Curatorial Practices for Intersectional Programming
The International Journal of Screendance, 2018 Screendance finds its roots in the traditions of concert dance, museum culture, and film festivals. Film festivals - from which we borrow the structure for programming screendance - boast a history of discrimination towards bodies of color, varied gender
Cara Hagan
doaj +1 more source
Imagined Archaeology and Enlivening the Proximate Senses in the construction of Blind Torrent – An Interdisciplinary Screendance Project [PDF]
, 2016 The screendance project Blind Torrent, is the result of an ongoing collaborative and interdisciplinary film making process between visual artist Russell Frampton and choreographer and somatic movement practitioner Ruth Way.
Frampton, RJ, Way, RM
core +2 more sources
Screendance for Adult Dancers:
Movement Matters, 2021 The purpose of this research creation project was to engage in and analyze a process of creating a digital contemporary dance composition. To do this, the researcher completed a choreographic process with a video component for a live performance at a theatre. Observational field notes were collected and analyzed through an interpretive lens to identify
openaire +2 more sources
The International Journal of Screendance, 2019 Some reflections on the development of screendance since the launch of the International Journal of Screendance almost 10 years ago, taking the long view with regards to the relation between innovation, knowledge, history and teaching.
Claudia Kappenberg
doaj +1 more source
The International Journal of Screendance, 2016 This article aims to extend the idea that screendance is a set of dispositions and elements which can create a common practice for artists of various backgrounds.
Priscilla Guy
doaj +1 more source
A brief history of the dancer/camera relationship [PDF]
, 2016 This article reflects on the relationship between the dancer and the camera. It identifies a divide that commonly exists between the performing dancer and the camera operator/director in screendance-making and suggests that this divide is narrower in ...
Lewis-Smith, C
core +1 more source
Developing experiential openness and reciprocity in Viridian (2014), a cross - generational community dance experience and practice as research screendance project [PDF]
, 2017 http://dx.doi.org/10.15663%2Fdra.v4i1 ...
Way, RM
core +2 more sources
Narrative Shifts: Race, Culture, and the Production of Screendance
The International Journal of Screendance, 2018 Moving 24fps is a platform where teams of one professional dance maker and one filmmaker are paired to create work in a single weekend. These ‘creatives’ make work as a part of the touring Festival: It focuses exclusively on the production of screendance
Marcus R White
doaj +1 more source
Body, Space & Technology Journal, 2023 Employing the lens of screen dance theory and film phenomenology the aim of this essay is to explore the effect of including screened dance into live performance on the choreographic methods and on the experience of watching dance.
Dara Milovanovic
doaj +2 more sources