Results 41 to 50 of about 1,340 (121)
After the Future: Choreography as the Practice of Editing [PDF]
, 2017 In this article, I will discuss a piece of practice entitled After the Future: A Homage to Bifo, which was performed in June 2012 and April 2013, and now exists as a video work (https://vimeo.com/74394747). Through discussing the work, I will explore the
Hildebrandt, Antje
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RE:ROSAS!, from pop tribute to interactive proposition: artistic emergencies from documentation of ephemeral originals and re-appropiation [PDF]
, 2018 Este artículo se propone señalar las emergencias artísticas a partir de la documentación y las versiones fílmicas del original coreográfico Rosas danst Rosas, siguiendo las diferentes manifestaciones del proyecto hasta llegar a la propuesta de ...
Kuntzelman, Ana
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Sensory Screens, Digitized Desires: Dancing Rasa From Bombay Cinema To Reality TV [PDF]
, 2016 Bombay cinema incorporated songs, dances, choreography, staging, and costumes from a variety of traditional forms to mark a modern national identity. The pioneering figure for using dance in films was Uday Shankar in his experimental film Kalpana. Bombay’
Chakravorty, Pallabi
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The International Journal of Screendance, 2016 Screendance is a hybrid art in which choreographic and film techniques are necessary for creating texts where the body dialogues with camera. Ghanaian dance film is best understood within the context of postmodern discourse.
Samuel Benagr, Terry B.K. Ofosu
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The Tensions of Technē: On Heidegger and Screendance
The International Journal of Screendance, 2019 No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
Claudia Kappenberg, Sarah Whatley
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Rippling Outwardly: Archives With Augmented And Mixed Reality
The International Journal of Screendance, 2022 In this article I propose that augmented reality (AR) and mixed reality (MR) have the potential to expand the notion of a Screendance archive. This takes the form of a hybrid installation, where visitors are invited to download an AR app onto their ...
Jeannette Ginslov
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The International Journal of Screendance, 2022 No abstract available.
Mary Wycherley
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Moving Video Camera Base on Expression Dancer Move and Kinesphere [PDF]
, 2018 Video has become the medium of choice for documenting work of dancing performed in limited space and time. Nevertheless, there is something that most people still miss in creating the video work of a dance, that is the reduced dance expression that is ...
Candra D.A, Nur Rahmad Ardi +3 more
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Faces, Close-ups and Choreography: A Deleuzian Critique of So You Think You Can Dance
The International Journal of Screendance, 2014 In everyday life the face occupies a central position within human expression and social interaction: its features are perceived to present a unique identity, and we breathe, consume and communicate through our faces.
Sherril Dodds, Colleen Hooper
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The International Journal of Screendance, 2022 Deconstruction has been used in theater practice and performance art since the 1960s -1970s as a strategy to guide viewers to observation of things and people in and around the performance practice, questioning meaning and its making. This paper proposes
Luisa Lazzaro
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