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"La Segunda Celestina": XVIIth and XIXth Centuries
The transition on the popular stage from the neoclassical to the romantic drama was accomplished to a considerable extent by the presentation of seventeenth century plays. The early years of the nineteenth century were particularly barren of significant native contributions to the development of the drama; only one dramatist of the period, Moratin the ...
Donald G. Castanien
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This essay examines female agency and deviance in two key scenes of La segunda Celestina as an act of monstrosity, a term that figures in this context as a transgression of gender codes. One of the three main female characters, Beatriz, is identified by her proclivity to hunt and her aversion to marry.
Bonnie L. Gasior
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11. Segunda Celestina de Feliciano de Silva
Antonio Santos
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RESUMEN En las continuaciones e imitaciones de la Tragicomedia de Calisto y Melibea las prostitutas, alcahuetas y rufianes cobran un especial protagonismo.
I Martínez
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El encanto es la hermosura y el hechizo sin hechizo. La Segunda Celestina (review)
Joseph Τ. Snow
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Una nueva edición de El encanto es la hermosura y El hechizo sin hechizo/La segunda Celestina
Georgina Sabàt de Rivers
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Divadelní typ chvástavého vojáka v díle Feliciana de Silvy Segunda Celestina (1536)
2020This bachelor's thesis studies the speeches of a boastful soldier in the play of Feliciano de Silva Segunda Celestina. Based on his speeches, I found out how the researched subject of interest corresponds to this type of soldier and how it differs. The role model for my researched character was Spanish soldier Centurio.
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