Results 51 to 60 of about 4,102 (225)

The SPL‐family transcription factor MpSPL3 orchestrates the proper regulation of vegetative and reproductive programs in Marchantia polymorpha

open access: yesThe Plant Journal, Volume 125, Issue 6, March 2026.
SUMMARY SQUAMOSA PROMOTER BINDING PROTEIN‐LIKE (SPL) genes encode plant‐specific transcription factors that are widely distributed across the plant kingdom. In angiosperms, the multimember SPL family regulates various biological processes, including vegetative‐to‐reproductive phase transition, inflorescence architecture, and lateral organ development ...
Alisha Alisha   +3 more
wiley   +1 more source

The Medial Caesura Declined in Schubert’s Sonata-Form Expositions

open access: yesMusica Theorica, 2019
The medial caesura (MC) is a mid-expositional break that divides a sonata-form exposition into two parts. It acts as a tonal and formal proposition, a suggested plan of action that, to be accepted, requires a convincing S-candidate and a key other than ...
Gabriel Navia
doaj   +1 more source

The Caenorhabditis elegans DPF‐3 and human DPP4 have tripeptidyl peptidase activity

open access: yesFEBS Letters, Volume 600, Issue 3, Page 324-333, February 2026.
The dipeptidyl peptidase IV (DPPIV) family comprises serine proteases classically defined by their ability to remove dipeptides from the N‐termini of substrates, a feature that gave the family its name. Here, we report the discovery of a previously unrecognized tripeptidyl peptidase activity in DPPIV family members from two different species.
Aditya Trivedi, Rajani Kanth Gudipati
wiley   +1 more source

The Musical Style of Elliott Carter: The analysis of the Piano Sonata (1945-46)

open access: yesAccelerando: BJMD, 2020
The purpose of this paper focuses on American composer Elliott Carter and his Piano Sonata (1945-46). Elliot Carter’s Piano Sonata is a representative example of his distinctive modernist style. After his early works written largely in Neoclassical idiom,
Yingying Wang
doaj  

FORM AND STYLEIN ELGAR’s SONATA FOR VIOLIN AND PIANO [PDF]

open access: yesStudiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2020
The Sonata for violin and piano, op. 82, composed in 1918 by E. Elgar – a unique piece in this genre among the composer’s creation, has the traditional structure of a tripartite sonata; I. Allegro, II. Andante, III. Allegro non troppo.
MELNIC VICTORIA, COȘCIUG SVETLANA
doaj  

Unlocking Two‐Photon Chiral Signatures in DNA‐Stabilized Silver Nanoclusters: Two‐Photon Circular Dichroism and Circularly Polarized Luminescence

open access: yesAdvanced Optical Materials, Volume 14, Issue 8, 23 February 2026.
Chiroptical properties of DNA‐stabilized silver nanocluster (DNA)2​[Ag16​Cl2​]8+ are presented in linear and nonlinear regime. These water‐soluble, NIR‐emitting nanoprobes demonstrate exceptionally high two‐photon circular dichroism and circularly polarized luminescence brightness.
Karolina Sulowska   +3 more
wiley   +1 more source

COMPOSITION PECULIARITIES IN THE SONATA C-MOLL FOR VIOLIN AND PIANO BY KONSTANTIN ROMANOV [PDF]

open access: yesStudiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2015
The author analyzes the Sonata for Violin and Piano by Konstantin Romanov written in Chisinau in 1920s. This is one of the first works known in national music in the genre of sonata for violin, written on the territory of the Republic of Moldova.
ŢIRCUNOVA SVETLANA, BURUNOVA ANASTASIA
doaj  

THE TEXTURE OF SONATA-REMINISCENZA (ОР. 38, NO.1) BY NIKOLAY MEDTNER THROUGH THE PRISM OF INTERPRETATIVE TASKS [PDF]

open access: yesStudiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2022
The article analyzes the Sonata-reminiscenza of Nikolai Medtner from the point of view of the types of piano texture used in it. It is about such distinctive qualities of the musical texture of this work as graphicity, a combination of homophonic ...
GEORGIEVA, MARIA
doaj  

Formfunktionen der Sonatenform. Ein Beitrag zur Sonatentheorie auf der Grundlage einer Kritik an William E. Caplins Verständnis von Formfunktionen [PDF]

open access: yesZeitschrift der Gesellschaft für Musiktheorie, 2018
Der Beitrag setzt sich kritisch mit einem derzeit häufig rezipierten Verständnis des Begriffs ›Formfunktion‹ (formal function) auseinander, das im Anschluss u.a. an die Formenlehre von Erwin Ratz im nordamerikanischen Diskurs entwickelt wurde.
Ulrich Kaiser
doaj   +1 more source

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