Results 1 to 10 of about 169 (91)
Surtitling and the audience: A love-hate relationship
The Journal of Specialised Translation, 2018 This article aims to describe audience attitude towards spoken theatre surtitling. More specifically, it reports on an experiment carried out during a major Spanish theatre festival (Festival de Otoño en Primavera, Madrid, 2014), with the purpose of ...
Antonella Mele
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Text Compression in Surtitles: A Case Study of the Opera La Traviata
Darnioji daugiakalbystė, 2020 Surtitling as a mode of audiovisual translation is commonly used for intercultural communication both intralingually and interlingually in theatres. The largest Lithuanian theatres often provide surtitles as a means to present translated text of the ...
Abraitienė Lina, Antanavičiūtė Laura
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La place de la traduction dans l’univers du théâtre : le surtitrage en exemple
Multilinguales, 2023 Throughout history, translation has been a constant source of discovery of others, their cultural heritage, their knowledge and their vision of the world. It allows us to immerse ourselves in distant and little-known worlds, such as literature, poetry or
Lynda Kazi-Tani
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New Trends in Audiovisual Translation: The Latest Challenging Models
Miscelánea: A Journal of English and American Studies, 2005 Audiovisual translation (AVT) plays a key role in the media society. Despite AVT’s long established practice, theoretical research has not been thoroughly carried out until recently.
Ana Isabel Hernández Bartolomé +1 more
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La redéfinition des rôles du traducteur de théâtre face à l’essor du surtitrage
Studia Romanica Posnaniensia, 2018 During the first two decades of the twenty-first century, we can observe an unprecedented shift in thepractice of theatrical translation and a revision of the role of the theater translator.
Małgorzata Czubińska
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The Source Text of Opera Surtitles [PDF]
Meta, 2004 This article discusses the source text and reading situation of opera surtitles. It introduces opera from a multimodal viewpoint and differentiates between the dramatic text and the stage interpretation. With two versions of surtitles, it approaches two different surtitling strategies, the one that concentrates on the libretto and the other that ...
Riitta Virkkunen, Virkkunen, Riitta
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Nadpisy operowe w Polsce – między teorią a praktyką
Między Oryginałem a Przekładem, 2013 Opera Surtitling in Poland: Theory and Practice The article discusses opera surtitling, which has been used in many opera houses around the world for over thirty years.
Anna Rędzioch‑Korkuz
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Na(d)pisy teatralne – translacja pomiędzy sztuką a techniką
Między Oryginałem a Przekładem, 2016 Surtitles – translation between art and technology Surtitling, one of the multiple modern forms of stage translation, consists in the projection on a screen above the stage the text necessary for the understanding of the original drama.
Małgorzata Czubińska
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Intercultural theatrical encounter and the dramaturgy of surtitles [PDF]
Language and Intercultural Communication, 2020 Theatre surtitles have tended to be seen as a necessary inconvenience. However, recent technological developments have streamlined the provision of translated captions and these advances are influe...
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