Results 21 to 30 of about 139 (71)

Bilingual performance and surtitles: translating linguistic and cultural duality in Canada

Linguistica Antverpiensia, New Series – Themes in Translation Studies, 2014
In Canada, theatre artists living in a linguistic minority context, such as Francophones in Western Canada and Anglophones in Quebec, are bilingual out of necessity. They have recently explored their bilingualism in playwriting and in performing plays that display various degrees of heterolingualism. This article focuses on the emergence of a bilingual
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The surtitle of the sung word: a form of linguistic and cultural mediation.

, 2022
Studies dedicated to the translation of dramatic-musical texts (opera libretto, oratorio text, liederistic text) in recent decades are being (re)considered by some amateur scholars (Vega Cernuda, 2012). This modality of audiovisual translation, an heir to the film subtitling techniques and media, is closely linked to the great development of the media ...
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Surtitling and the new networks of theatre translation in Toronto

Translation Studies, 2022
This article deals with human and non-human agents of surtitling in Toronto and beyond. After its emergence at the opera in Toronto, surtitling travelled to the theatre, and to other parts of French-speaking Canada, North America and Europe.
Nicole Nolette
exaly   +3 more sources

Opera surtitling in Poland: an uncharted area of AVT?

Poznan Studies in Contemporary Linguistics, 2018
Audiovisual translation has become a common subject of a number of scientific articles, special issues of translation journals or conferences. It may seem that this fascinating area of research has been examined thoroughly and may only be investigated ...
Anna Rędzioch-Korkuz
exaly   +5 more sources

The Drama of Surtitling: Ever-Changing Translation on Stage

Palgrave studies in translating and interpreting, 2020
Theatre surtitling has evolved from subtitling to create a new and independent audiovisual translation (AVT) modality. From its inception in opera houses, it has developed its own features and translation techniques. It is a modality that relies highly on technique, offering a vast range of artistic possibilities, that theatre companies are already ...
Juan Marcos Carrillo Darancet
exaly   +3 more sources

The Art and Craft of Opera Surtitling

2009
While subtitles are translated text displayed below the image, as on a cinema or television screen, surtitles are displayed above the stage, in live opera or theatre performances (some opera companies refer to these as ‘supertitles’). Subtitling and surtitling involve differing requirements and techniques.
J. Burton
exaly   +3 more sources

Translation, adaptation, and surtitling of Shakespeare’s The Tempest into Italian

European Journal of English Studies
This work explores how translation, adaptation, and surtitling interact under the constraints of live performance and the technical limitations of audiovisual translation.
Margherita Dore
exaly   +4 more sources

New Paths in Theatre Translation and Surtitling

Perspectives
Elmira Soleimanirad
exaly   +5 more sources

Surtitling and captioning for theatre and opera

The Routledge Handbook of Audiovisual Translation, 2018
A. Secara
exaly   +3 more sources

The translational politics of surtitling

2020
Jean Graham-Jones
exaly   +3 more sources