Results 11 to 20 of about 80 (61)

Surtitling: Surtitles an other hybrid on a hybrid stage

TRANS. Revista de Traductología, 2017
La sobretitulación es una forma de transferencia interlingüística que tiene lugar en escena cuando una producción teatral se desplaza. Consiste, además, en una modalidad híbrida de traducción entre la traducción propiamente dicha y la interpretación. Por ello constituye un campo de investigación novedoso y de gran interés en el ámbito de los Estudios ...
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A Dramaturgy of Translation: The Brussels City Theatre as a Site of Negotiation between Language Policy and Practice

Text Matters
State-funded city theatres play an important role in keeping a finger on the pulse of society. As porous institutions that act as meeting places between artists and citizens, they can present themselves as reflexive or subversive voices. The combination
Eline Denolf
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Surtitling today: new uses, attitudes and developments

Linguistica Antverpiensia, New Series – Themes in Translation Studies, 2021
Surtitling has exerted a noticeable twofold effect on the opera world, in which it originated: it has contributed substantially to increasing the number of opera goers, making opera more accessible and “audience-friendly” and changing audiences’ expectations towards their operatic experience, which has in turn affected the reception of works in the ...
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La redéfinition des rôles du traducteur de théâtre face à l’essor du surtitrage

Studia Romanica Posnaniensia, 2019
During the first two decades of the twenty-first century, we can observe an unprecedented shift in the practice of theatrical translation and a revision of the role of the theater translator.
Małgorzata Czubińska
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Canonical texts in the audiovisual context: surtitlingEugene Oneginfor Polish audiences [PDF]

Perspectives, 2020
The article aims to discuss Polish surtitles for the opera Eugene Onegin by Pyotr Tchaikovsky staged at the Polish National Opera in Warsaw.
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Bilingual performance and surtitles: translating linguistic and cultural duality in Canada

Linguistica Antverpiensia, New Series – Themes in Translation Studies, 2014
In Canada, theatre artists living in a linguistic minority context, such as Francophones in Western Canada and Anglophones in Quebec, are bilingual out of necessity. They have recently explored their bilingualism in playwriting and in performing plays that display various degrees of heterolingualism. This article focuses on the emergence of a bilingual
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The surtitle of the sung word: a form of linguistic and cultural mediation.

, 2022
Studies dedicated to the translation of dramatic-musical texts (opera libretto, oratorio text, liederistic text) in recent decades are being (re)considered by some amateur scholars (Vega Cernuda, 2012). This modality of audiovisual translation, an heir to the film subtitling techniques and media, is closely linked to the great development of the media ...
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Opera surtitling in Poland: an uncharted area of AVT?

Poznan Studies in Contemporary Linguistics, 2018
AbstractAudiovisual translation has become a common subject of a number of scientific articles, special issues of translation journals or conferences. It may seem that this fascinating area of research has been examined thoroughly and may only be investigated further from the point of view of technological improvements in human communication.
Anna Rędzioch-Korkuz
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The Drama of Surtitling: Ever-Changing Translation on Stage

Palgrave studies in translating and interpreting, 2020
Theatre surtitling has evolved from subtitling to create a new and independent audiovisual translation (AVT) modality. From its inception in opera houses, it has developed its own features and translation techniques. It is a modality that relies highly on technique, offering a vast range of artistic possibilities, that theatre companies are already ...
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The Art and Craft of Opera Surtitling

2009
While subtitles are translated text displayed below the image, as on a cinema or television screen, surtitles are displayed above the stage, in live opera or theatre performances (some opera companies refer to these as ‘supertitles’). Subtitling and surtitling involve differing requirements and techniques.
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