Results 41 to 50 of about 120 (81)

Confederate Statuary: The Difficulty of Preserving Contested Historical Monuments

Il Capitale Culturale: Studies on the Value of Cultural Heritage, 2019
Removing public monuments from their prominent locations is an act that is likely to cause considerable controversy under most circumstances.  This is particularly true when the ideology those monuments were erected to promote is hotly contested within ...
Clinton Jacob Buhler
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The Legacy of Alois Riegl: Material Authenticity of the Monument in the Digital Age

Built Heritage, 2017
The Austrian art historian Alois Riegl (1858–1905) revolutionised the European concept of the monument and paved the way towards the codification of the historicity of artefacts at the international level.
Alexandra Harrer
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The advantages and disadvantages of Art History to Life: Alois Riegl and historicism

Journal of Art Historiography, 2010
Alois Riegl was one of the seminal art historians of the early twentieth century, but very little is known about his career as adjunct-curator of textiles at the Austrian Museum for Art and Industry.
Diana Reynolds Cordileone
doaj  

Decolonizing Central Europe: Czech Art and the Question of 'Colonial Innocence'. [PDF]

Vis Resour, 2021
Rampley M.
europepmc   +1 more source

De l’effet de sidération et de peur dans les autoportraits d’Andy Warhol

E-REA, 2011
The following article analyses the way fear and shock appear in Andy Warhol’s last self portraits, produced in 1986, through the mechanisms that oppose and accompany it.
Marie CORDIÉ-LEVY
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‘Alois Riegl and the Maori’: Alois Riegl ‘Ornament from New Zealand’, originally published as ‘Neuseeländische Ornamentik’, Mitteilungen der Anthropologischen Gesellschaft in Wien, vol. 20, new ser, vol, 10, 1890, 84-87. [PDF]

Journal of Art Historiography, 2015
Riegl’s lecture about Maori ornament was held before the Anthropological Society in Vienna in 1890 and anticipates much of what he then said in his Stilfragen.
Karl Johns
doaj  

“Bildtapeten” and the conservation of medieval wall paintings at the turn of the twentieth century in Germany

CeROArt : Conservation, Exposition, Restauration d'Objets d'Art, 2013
In the last decades of the nineteenth Century, a paradigm change in the preservation of medieval wall painting conservation took place. Restoration as equivalent of repainting was definitely refused.
Ursula Schädler-Saub
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Protecting antiquities in early modern Rome: the papal edicts as paradigms for the heritage safeguard in Europe. [PDF]

Open Res Eur, 2021
Mannoni C.
europepmc   +1 more source

Countenances of the deepest attentiveness: the historical reputation of Jan van Scorel’s portraits [PDF]

Journal of Art Historiography, 2017
This study examines portraits produced by the Netherlandish artist Jan van Scorel (1495-1562) and the pictorial, aesthetic and cultural sources from which they both emerged and departed.
Albert Godycki
doaj  

New Religion: Wang Guangyi, Apelles’ Line, And Political Theology

Rivista di Estetica
As Warhol appropriated posters and prints already ‘ready-made’, Wang Guangyi ‘covers’ Andy Warhol. This essay discusses Warhol and death (Marilyn Monroe, James Dean), mirroring artist and viewer, along with a discussion of Arthur Danto on Warhol and on ...
Babette Babich
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