Results 21 to 30 of about 120 (81)
Journal of Art Historiography, 2012 Alois Riegl´s Die Entstehung der Barockkunst in Rom, published posthumously by Arthur Burda and Max Max Dvořák in 1908, is the last of Riegl´s major works, which was translated into English.
Ute Engel
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Revista Visuais, 2017 Este artigo busca explorar a perspectiva de uma Historiografia Comparada da Arte, analisando as abordagens de dois importantes historiadores da Arte: Alois Riegl (1858-1905) e Heinrich Wölfflin (1864-1945).
José D'Assunção Barros
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Perception of Surroundings: Materiality and Affect in the Russian Kustar Arts Revival
The Russian Review, Volume 83, Issue 3, Page 362-377, July 2024.Abstract Abramtsevo and Talashkino are well known for their handicraft workshops that participated in the revival of Russian folk arts known as kustarnichestvo at the turn of the last century. Typically examined in terms of its stylistic progenitors or as a manifestation of Russia’s nationalist politics, kustarnichestvo can also offer unique insights ...
Colleen McQuillen
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Breaking the shell of the humanist egg: Kenneth Clark’s University of London lectures on German art historians [PDF]
Journal of Art Historiography, 2014 This article explores Kenneth Clark’s 1930 lectures delivered to students at London University on the theoretical writings of Alois Riegl and Heinrich Wölfflin.
Matthew C Potter
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Alois Riegl, ‘Lovers of art, ancient and modern’ , Translated with an introduction by Karl Johns [PDF]
Journal of Art Historiography, 2013 This paper was originally given as a lecture to the Wiener Kunstfreunde and posthumously published as ‘Über antike und moderne Kunstfreunde Vortrag gehalten in der Gesellschaft der Wiener Kunstfreunde,’ Kunstgeschichtliches Jahrbuch der K. K.
Alois Riegl, Karl Johns
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‘The rigorous and the vague: aesthetics and art history in Riegl, Wölfflin and Worringer’ [PDF]
Journal of Art Historiography, 2013 The paper approaches the art theory of Aloïs Riegl, Heinrich Wölfflin and Wilhelm Worringer from two perspectives. Firstly, the paper integrates the conception of the image of these three art historians into the phenomenological tradition as founded by ...
Vlad Ionescu
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Recuperación y restauración del teatro barroco Castillo de Cesky Krumlov (República Checa)
Loggia, Arquitectura & Restauración, 2002 La sólida tradición en la protección y conservación de monumentos de Bohemia que se remonta al magisterio ejercido por Aloïs Riegl y Max Dvorak sigue viva y encuentra un magnífico ejemplo en esta ocasión.
Vaclav Hirsa, Miloslav Hanz
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Проект Байкал, 2016 The article tells about Ludwig Mies van der Rohe, who said a prophetic word in architecture of the 20th century, and analyses the sources of his creativity.
Oleg Yavein, Elena Bagina
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0256 Moderner Inhalt in manieristischer Form. Max Dvořák unter dem Einfluss Georg Simmels
RIHA Journal, 2021 The article deals with the influence of Berlin philosopher Georg Simmel on Viennese art historian Max Dvořák. Dvořák as a successor of Alois Riegl and Franz Wickhoff at the art history department of the University of Vienna is considered the promoter of ...
Tomáš Murár
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El artista fantasma y la máquina mitológica
Boletim de Pesquisa NELIC, 2009 Todos recordamos la asociación que hace Benjamin entre la ficción de Kafka y el mundo primordial de las hetairas. Las fuentes para esas consideraciones benjaminianas respecto de la proto-historia remontan a los estudios de uno de los participantes en el
Raúl Antelo
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