Results 31 to 40 of about 120 (81)

Hermann Usener y el arte de la denominación en Walter Benjamin

Filosofia Unisinos, 2011
En El origen del drama barroco alemán Walter Benjamin se refiere explícitamente en tres oportunidades a la obra del filólogo de las religiones Hermann Usener (1834-1905) titulada Los nombres de los dioses. Sin embargo, la influencia de esta última puede
Ignacio Uribe
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Baroque Art in Croatia and the Vienna School of Art History [PDF]

Journal of Art Historiography, 2019
Art History in Croatia developed under influence of Vienna School of Art History. The ideas of ​​Viennese art history were integrated in all fields of art history, but research of art of the Baroque period was especially close to contemporary development
Dubravka Botica
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Alois Riegl and his lecture notes. A reconsideration of his concept of “Baroque” [PDF]

Journal of Art Historiography, 2020
The present article aims to draw attention to a specific and hitherto unaddressed aspect of Alois Riegl’s work, namely a reconsideration of his idea of Baroque in the light of his unpublished manuscripts.
Eleonora Gaudieri
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Riegl, Strzygowski and the development of art [PDF]

Journal of Art Historiography, 2011
Originally published in Towards a Science of Art History: J. J. Tikkanen and Art Historical Scholarship in Europe, Helsinki: Society of Art History, 2009.The lifelong rivalry between Alois Riegl and Josef Strzygowski, both prominent members of the Vienna
Georg Vasold
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Una fortunata metafora di Cesare Brandi: le «chiese di cristallo» degli Armeni

Venezia Arti, 2018
The expression ‘chiese di cristallo’ (crystal churches) appeared in the title of an article written by Cesare Brandi in 1968 for the Italian newspaper Corriere della Sera, which reviewed a photo exhibition on Armenian architecture. This definition for
Ruffilli, Marco
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Aloïs Riegl e il valore dell’antico (o dell’alterazione) nel 'Restauro del Moderno' /

Restauro Archeologico
The restoration of contemporary architecture, in terms of design practice and construction outcomes, seems to follow rules that differentiate it from the restoration of historical architecture. The signs of aging, which in restoration theory are one of
Marco Pretelli
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‘The originality of Kaschnitz’: Guido Kaschnitz Weinberg, ‘The problem of originality in Roman art’ [Guido Kaschnitz von Weinberg, Das Schöpferische in der römischen Kunst, Römische Kunst, vol. 1, chapter 4, Hamburg: Rowohlt, 1961, 51-73] [PDF]

Journal of Art Historiography, 2014
The vindication of Roman art had been a nearly obsessive preoccupation of the earliest serious comprehensive art historians in Vienna at the end of the nineteenth century.
Karl Johns
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The Czech Vienna school and the art of the “small people" [PDF]

Journal of Art Historiography, 2020
The article focuses on the attitudes of the Vienna school followers to folk art and primarily examines the writing of the Czech art historians, Zdeněk Wirth and Antonín Matějček.
Marta Filipová
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‘Ideal and material ornament: rethinking the “beginnings” and history of art’ [PDF]

Journal of Art Historiography, 2013
Beginning with the work of anthropologist and prehistoric archaeologist Johannes Ranke, the article outlines a series of debates about the ‘beginnings’ of art and ornament in the late nineteenth century and early twentieth century in German-speaking ...
Priyanka Basu
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Beyond Mood and Atmosphere: a Conceptual History of the Term Stimmung. [PDF]

Philosophia (Ramat Gan), 2021
Thonhauser G.
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