The Legacy of Alois Riegl: Material Authenticity of the Monument in the Digital Age
Built Heritage, 2017 The Austrian art historian Alois Riegl (1858–1905) revolutionised the European concept of the monument and paved the way towards the codification of the historicity of artefacts at the international level.
Alexandra Harrer
doaj +3 more sources
Valor de antiguidade, conservação e restauro
Pós: Revista do Programa de Pós-Graduação em Arquitetura e Urbanismo da FAUUSP, 2012 A teoria e a prática da conservação de monumentos de Alois Riegl(1858-1905) está articulada ao valor de antiguidade, noçãofundamental da obra Culto moderno dos monumentos (1903).
Mirandulina Maria Moreira Azevedo
doaj +3 more sources
Del patrimonio-paisaje a los paisajes-patrimonio [PDF]
, 2013 Las relaciones entre paisaje y patrimonio son plenamente históricas. Sin embargo, lo habitual es que en el pasado los patrimonios fueran los que tuvieran rasgos de paisajes, ya fueran paisajes construidos por el poder político en un momento determinado ...
Gómez Mendoza, Josefina
core +3 more sources
De nueve letras: en urbanismo, anticipar soluciones, atisbar recursos [PDF]
, 2013 In Memoriam André CorbozPeer ...
Martín Ramos, Ángel
core +2 more sources
Journal of Art Historiography, 2011 Review of: Peter Noever, Artur Rosenauer and Georg Vasold, eds, Alois Riegl Revisited. Beiträge zu Werk und Rezeption. Contributions to the Opus and its Reception. Vienna: Österreichische Akademie der Wissenschaften, 2010. Michael S.
Matthew Rampley
doaj
Il Capitale Culturale: Studies on the Value of Cultural Heritage, 2013 Alois Riegl (Linz 1858 – Vienna 1905) è noto come uno dei più importanti rappresentanti della cosiddetta Scuola viennese di storia dell’arte. In questo saggio si presenta lo studioso evidenziando il legame strutturale che collega nella sua vita ...
Susanne Adina Meyer
doaj +1 more source
La copia y la reconstrucción: un recurso visual en las exposiciones de historia del arte moderno desde los años 60 del siglo XX [PDF]
, 2012 This paper analyses the fact that most of the works pertaining to the so-called “Historical Avant-garde” -as well as to some of the Neo-Avant-garde- from the first half of 20th century have been gradually rebuilt since the 1960s to fill the gaps in some ...
Tejeda Martín, Isabel
core +2 more sources
Ruines, décombres, chantiers, archives : l’évolution d’une figure dans le cinéma en Allemagne (1946-1993) [PDF]
, 2007 Dans le présent article, l’auteur se penche sur le rôle qu’occupent les « ruines » en tant que figure privilégiée de la médiation cinématographique de la mémoire de l’après-guerre en Allemagne, de Die Mörder sind unter uns (Wolfgang Staudte, 1946) et d ...
Habib, André
core +1 more source
Wind and Riegl: the meaning of a [PDF]
Journal of Art Historiography, 2009 This article constitutes a detailed critical reading of Edgar Wind’s early work, focussing, in particular, on his German philosophical writings concerning art, art history and art-historical methodology. Through comparisons with the authors Wind tackled (
Consolato Latella
doaj
Book received: Alois Riegl, The Origins of Baroque Art in Rome, edited and translated by Andrew Hopkins and Arnold Witte, with essays by Alina Payne, Arnold Witte, and Andrew Hopkins; Los Angeles: Getty Research Institute including contents, acknowledgments and a note on the translation. [PDF]
Journal of Art Historiography, 2010 Alois Riegl, The Origins of Baroque Art in Rome, edited and translated by Andrew Hopkins and Arnold Witte, with essays by Alina Payne, Arnold Witte, and Andrew Hopkins; Los Angeles: Getty Research Institute including contents, acknowledgments and a note ...
Alois Riegl
doaj