Results 11 to 20 of about 120 (81)

Valor de antiguidade, conservação e restauro

Pós: Revista do Programa de Pós-Graduação em Arquitetura e Urbanismo da FAUUSP, 2012
A teoria e a prática da conservação de monumentos de Alois Riegl(1858-1905) está articulada ao valor de antiguidade, noçãofundamental da obra Culto moderno dos monumentos (1903).
Mirandulina Maria Moreira Azevedo
doaj   +3 more sources

Re-reading Riegl [PDF]

Journal of Art Historiography, 2011
Review of: Peter Noever, Artur Rosenauer and Georg Vasold, eds, Alois Riegl Revisited. Beiträge zu Werk und Rezeption. Contributions to the Opus and its Reception. Vienna: Österreichische Akademie der Wissenschaften, 2010. Michael S.
Matthew Rampley
doaj  

Are there various Riegls? Museo, storia dell’arte e conservazione in Alois Riegl / Are there various Riegls? Museum, art history and conservation in Alois Riegl

Il Capitale Culturale: Studies on the Value of Cultural Heritage, 2013
Alois Riegl (Linz 1858 – Vienna 1905) è noto come uno dei più importanti rappresentanti della cosiddetta Scuola viennese di storia dell’arte.  In questo saggio si presenta lo studioso evidenziando il legame strutturale che collega nella sua vita ...
Susanne Adina Meyer
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Wind and Riegl: the meaning of a [PDF]

Journal of Art Historiography, 2009
This article constitutes a detailed critical reading of Edgar Wind’s early work, focussing, in particular, on his German philosophical writings concerning art, art history and art-historical methodology. Through comparisons with the authors Wind tackled (
Consolato Latella
doaj  

Book received: Alois Riegl, The Origins of Baroque Art in Rome, edited and translated by Andrew Hopkins and Arnold Witte, with essays by Alina Payne, Arnold Witte, and Andrew Hopkins; Los Angeles: Getty Research Institute including contents, acknowledgments and a note on the translation. [PDF]

Journal of Art Historiography, 2010
Alois Riegl, The Origins of Baroque Art in Rome, edited and translated by Andrew Hopkins and Arnold Witte, with essays by Alina Payne, Arnold Witte, and Andrew Hopkins; Los Angeles: Getty Research Institute including contents, acknowledgments and a note ...
Alois Riegl
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Riegl faz história: o Denkmalkultus visto à luz da historiografia de Alois Riegl

Anais do Museu Paulista: História e Cultura Material, 2022
O livro Der moderne Denkmalkultus, sein Wesen und seine Entsehung (O culto moderno dos monumentos: sua essência e sua gênese), do historiador da arte Alois Riegl (1858-1905), é hoje considerado uma das obras capitais do diálogo que chamamos de Teorias ...
Daniel Juracy Mellado Paz
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A História da Arte Diante da Imagem

Convergências - Revista de Investigação e Ensino das Artes, 2022
As presentes páginas têm como intento tecer considerações sobre a história da história da arte. Para alcançar o almejado objetivo, partiu-se dos primeiros textos escritos na Antiguidade. Em seguida, abordou-se os tratados de pintura redigidos a partir do
Daniela Queiroz Campos
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Ornement et Kunstwollen

Images Re-Vues, 2012
The concept of Kunstwollen, elaborated by the Austrian art historian Aloïs Riegl in his 1901 book, Late Roman art industry, has been very influent in XXth art theory.
Massimo Carboni
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‘A monumental step for Riegl and Schlosser in France’: Alois Riegl, Christopher S. Wood, Emmanuel Alloa, L’industrie d’art romaine tardive, trans. Marielène Weber, Sophie Yersin Legrand, Paris: Éditions Macula 2014 and Patricia Falguières, Les Cabinets d’art et de merveilles de la Renaissance tardive: Une contribution à l’histoire du collectionnisme, Paris: Éditions Macula 2012 [PDF]

Journal of Art Historiography, 2014
Two books are reviewed here: a French translation of Alois Riegl’s Spätrömische Kunstindustrie (1901) and Julius von Schlosser’s Kunst- und Wunderkammern der Spätrenaissance (1908). The first is supplemented by an introduction by Christopher S Wood and a
Karl Johns
doaj  

The Sociality of Form: Camillo Sitte's Urban Morphologies

The German Quarterly, Volume 97, Issue 4, Page 490-505, Fall 2024.
Abstract This article examines a text by a lesser‐known figure of fin‐de‐siècle Vienna, Camillo Sitte's Der Städtebau nach seinen künstlerischen Grundsätzen (1889), tracing the relationship between urban form and social structure in Sitte's treatise. It identifies the key points of this relationship in terms of causality: the form of public spaces can ...
Margareta Ingrid Christian
wiley   +1 more source