Results 31 to 40 of about 26,081 (211)
The paper explores the reception of Aristophanes’ first extant comedy The Acharnians (425 BC) in post-war Greek modern theatre by the two government-sponsored theatre institutions of Greece, namely the National Theatre of Greece (NTG) and the National ...
Vicky Manteli
doaj +3 more sources
Resumen Es generalmente aceptada la tesis de que Eurípides es el antecesor dramático directo de Menandro. Esta tesis supone además que Aristófanes, a pesar de ser el autor de comedia más antiguo que se conserva, tiene poca relación con la tradición ...
Álvaro Andrés Sáenz Alfonso
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A proposito dell'attore Callipide (Ar. fr. 490 K.-A.)
The Aristophanes' Skenas katalambanousai fr. 490 K.-A. presents some problems related to the constitutio textus and the persona loquens. The present paper provides a reading of the text according to Aristophanes' usus and a different interpretation of ...
Cinzia Boccaccini
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Algebraic identities associated with KP and AKNS hierarchies
Explicit KP and AKNS hierarchy equations can be constructed from a certain set of algebraic identities involving a quasi-shuffle product.Comment: 6 pages, proceedings of Integrable Systems 2005 ...
Dimakis, Aristophanes +1 more
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C. W. Marshall and G. Kovacs (eds), No Laughing Matter: Studies in Athenian Comedy (London: Bloomsbury Academic, 2012) [PDF]
No abstract ...
Ruffell, Ian A.
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Carrying out a comparative analysis between its primary sources, this article is about the construction of the “ideal city” in the works of Plato and Aristophanes and their correlate conceptions of citizenship, proposing, specifically, that the ...
Alexandre da Silva Costa
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KdV soliton interactions: a tropical view
Via a "tropical limit" (Maslov dequantization), Korteweg-deVries (KdV) solitons correspond to piecewise linear graphs in two-dimensional space-time. We explore this limit.Comment: 10 pages, 4 figures, conference "Physics and Mathematics of Nonlinear ...
Dimakis, Aristophanes +1 more
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Middlebrow Aesthetics: An Explanation and Defense
ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
wiley +1 more source
ABSTRACT We are social animals that seek to live a life that is, in some sense, shared with others. But what exactly do we want in wanting to live a shared life? First, I seek to show that this question is not as straightforward as it might initially appear. Second, I present an answer to this question, which makes reference to the thought that we have
James Laing
wiley +1 more source
From the Kadomtsev-Petviashvili equation halfway to Ward's chiral model
The "pseudodual" of Ward's modified chiral model is a dispersionless limit of the matrix Kadomtsev-Petviashvili (KP) equation. This relation allows to carry solution techniques from KP over to the former model.
Dimakis, Aristophanes +1 more
core +1 more source

