Results 21 to 30 of about 880 (125)

Target BACRIM: Blurring fact and fiction to create an interactive documentary game [PDF]

open access: yes, 2015
Target: BACRIM is an immersive and interactive documentary game that exposes the atrocities of Colombia’s paramilitary forces in one of its most violent regions.
B Laurel   +4 more
core   +1 more source

Fuga dal Novecento: su The Game, la rivoluzione digitale e altre catastrofi

open access: yesAIB Studi, 2020
Bibliotecari e studiosi che si occupano di discipline del libro e del documento, o di digital humanities, hanno visto nascere il game – la rivoluzione digitale – trent'anni fa e più.
Paola Castellucci
doaj   +1 more source

New Memory of the Old Trauma?

open access: yesPolitička Misao, 2022
Recently, there has been a significant rise in the production of films on the ‎Jasenovac camp and related Ustasha crimes, taking their share in the mnemonic‎ politics.
Ana Kršinić Lozica
semanticscholar   +1 more source

Adaptation, Allegory and the Archive: Contextualising Epistolary Narratives in Contemporary Portuguese Cinema

open access: yesÁrea Abierta, 2019
Epistolarity in cinema is commonly understood as a narrative device either fitting the so-called essay film, or resulting from filmic adaptation of literary works.
Nuno Barradas Jorge
doaj   +1 more source

Now I Am Dead

open access: yesJournal of Anthropological Films, 2020
Now I am Dead (2018) takes an unexpected turn which transforms the narrative from meta-critical docufiction into an immersive tale. Anthropologist Isabel Bredenbröker and director Philipp Bergmann had planned to explore the status quo of the ethnographic
Isabel Bredenbröker, Philipp Bergmann
doaj   +1 more source

Pubblicità e memoria mediale: appunti in itinere [PDF]

open access: yes, 2017
The essay aims at relating the outcomes of a multidisciplinary research project focused on the relationship between a specific kind of social discourse, such as advertising, and the concept of “media memory”.
Bianchi Cinzia
core   +2 more sources

Fakes of reality. Do we really need the paradigm of the documentary? From the ontology to the epistemology of movie images, i.e. there and back again

open access: yesImages, 2018
The starting point for this paper is the statement that we are witnessing a “mock-documentary boom” in contemporary cinema. Viewers today can be surprised and confused by the variety of “intercrossings” that are used in documentary and fictional ...
Małgorzata Jakubowska
doaj   +1 more source

Docuficción y responsabilidad social: la recreación de la violencia de género en TV

open access: yesPalabra Clave, 2020
Docufiction and Social Responsibility: Recreating Gender Violence on TV Documentário ficcional e responsabilidade social: a recriação da violência de gênero na televisão El tratamiento de la violencia de género ha experimentado un notable cambio en los
Dolors Palau-Sampio, Adolfo Carratalá
doaj   +1 more source

The Feature in Radio – the Elusiveness of the Genre’s Determinants. Notes on the Prix Europa Festival in the Years 2012 and 2013 in the Context of Literary Genetics [PDF]

open access: yes, 2016
The goal of the article is to answer the question: what do radio broadcasters in the West understand to be a ‘feature’? A lack of clarity in terminology in this respect was especially visible during the Prix Europa 2012 and 2013 festivals.
Bachura-Wojtasik, Joanna   +1 more
core   +2 more sources

Audiovisual narrative, re-enactment, and historical education: Hospitals in the Spanish Civil War [PDF]

open access: yes, 2022
The audiovisual narrative is a widely used resource in the presentation of diverse historical content. Historical recreation, thanks to its ability to generate images of the past, when combined with the use of emerging digital technologies (CGI, computer-
Boj, Isabel   +3 more
core   +1 more source

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