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Morgan, Robert P. 2014. Becoming Heinrich Schenker: Music Theory and Ideology. New York: Cambridge University Press. [PDF]
Current Musicology, 2014 In my view, there is a real need for the kind of book that Robert Morgan’s Heinrich Schenker: Music Theory and Ideology aspires to be: a succinct, lucid, and sympathetic summary of the most important works of the most important music theorist, one that ...
Bryan Parkhurst
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Heinrich Schenker: teoretik a editor
Musicologica Brunensia, 2012 Heinrich Schenker divided his time between private teaching, editorial work and the series of theoretical and analytical works for which he is known today.
Lubomír Spurný
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Urlinie und Zwölftonreihe als Zeitgenossinnen [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2021 Mit Blick auf die konträren Positionen ihrer Autoren scheinen Urlinie und Zwölftonreihe – zwei Konzepte, die beide in die frühen 1920er Jahren datieren – eher die Gleichzeitigkeit des Ungleichzeitigen als so etwas wie Zeitgenossenschaft zu dokumentieren.
Martin Eybl
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Acta Semiótica et Lingvistica, 2023 Tradução do original francês. HEINRICH SCHENKER- Une conscience sémiotique a propos de Der Geist der musikalischen Technik de Meeùs, NICOLAS. Universidade Sorbonne – IReMu, publicado na Acta Semiotica et Lingvistica – Vol 28 – Nº 1 – Ano 47 (2023). Der Geist der musikalischenTechnik é o primeiro grande trabalho teórico de Schenker que mostra como as ...
Maria de Fátima Barbosa de Mesquita Batista +1 more
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»Schließlich waren alle Genies der Kunst immerhin doch Männer …«. Zum Geniebegriff bei Heinrich Schenker [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2021 In seiner 1995 publizierten Dissertation zur ideengeschichtlichen Entwicklung von Schenkers Musiktheorie konnte Martin Eybl demonstrieren, dass das Konzept der Urlinie in enger Verbindung mit politischen Ideen entstand und im Kontext der politischen ...
Marko Deisinger
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Musica Theorica, 2022 O artigo aborda a questão das formas musicais em geral, e a forma sonata em particular, a partir da perspectiva aberta por Heinrich Schenker, caracterizada pelo próprio autor como uma concepção orgânica da música. A compreensão de Schenker a respeito da
Ivan Gonçalves Nabuco +1 more
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O modo de dizer da teoria musical: uma reflexão sobre a terminologia de Schenker
Orfeu, 2021 Coloca-se em discussão a tradução para a língua portuguesa de alguns termos da teoria musical de Heinrich Schenker. Detendo-se, principalmente, sobre os termos Urlinie e Ursatz, procura-se realizar um debate a respeito do significado de tais conceitos ...
Ivan Gonçalves Nabuco +1 more
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Die frühe Schenker-Rezeption Hellmut Federhofers [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2018 Der Aufsatz beschäftigt sich mit der frühen Schenker-Rezeption des österreichischen Musikwissenschaftlers Hellmut Federhofer (1911–2014), die in der Forschung bislang ebenso wenig Beachtung fand wie deren biographische und historische Voraussetzungen. Es
Thomas Wozonig
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Orfeu, 2021 Although Heinrich Schenker certainly changed his mind about many topics, he never waivered in his belief that 1) current ways to explain modulation were fundamentally flawed; and 2) that modulation is best learned by improvising preludes and fantasies ...
John, Matthew
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‘The Whiteness’ of Music Analysis. A Gloss on Philip Ewell's Lamentation over Schenker
Musicology Today, 2022 The article is a polemic with the views formulated in 2020 by Philip A. Ewell in the Journal of the Society for Music Theory. His text is a critique of European music theory, mainly as represented in the writings by Heinrich Schenker.
Żerańska-Kominek Sławomira
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