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Morgan, Robert P. 2014. Becoming Heinrich Schenker: Music Theory and Ideology. New York: Cambridge University Press. [PDF]

Current Musicology, 2014
In my view, there is a real need for the kind of book that Robert Morgan’s Heinrich Schenker: Music Theory and Ideology aspires to be: a succinct, lucid, and sympathetic summary of the most important works of the most important music theorist, one that ...
Bryan Parkhurst
doaj   +4 more sources

Urlinie und Zwölftonreihe als Zeitgenossinnen [PDF]

Zeitschrift der Gesellschaft für Musiktheorie, 2021
Mit Blick auf die konträren Positionen ihrer Autoren scheinen Urlinie und Zwölftonreihe – zwei Konzepte, die beide in die frühen 1920er Jahren datieren – eher die Gleichzeitigkeit des Ungleichzeitigen als so etwas wie Zeitgenossenschaft zu dokumentieren.
Martin Eybl
doaj   +1 more source

»Schließlich waren alle Genies der Kunst immerhin doch Männer …«. Zum Geniebegriff bei Heinrich Schenker [PDF]

Zeitschrift der Gesellschaft für Musiktheorie, 2021
In seiner 1995 publizierten Dissertation zur ideengeschichtlichen Entwicklung von Schenkers Musiktheorie konnte Martin Eybl demonstrieren, dass das Konzept der Urlinie in enger Verbindung mit politischen Ideen entstand und im Kontext der politischen ...
Marko Deisinger
doaj   +1 more source

O princípio orgânico da forma

Musica Theorica, 2022
O artigo aborda a questão das formas musicais em geral, e a forma sonata em particular, a partir da perspectiva aberta por Heinrich Schenker, caracterizada pelo próprio autor como uma concepção orgânica da música. A compreensão de Schenker a respeito da
Ivan Gonçalves Nabuco, Sérgio Paulo Ribeiro de Freitas   +1 more
doaj   +1 more source

O modo de dizer da teoria musical: uma reflexão sobre a terminologia de Schenker

Orfeu, 2021
Coloca-se em discussão a tradução para a língua portuguesa de alguns termos da teoria musical de Heinrich Schenker. Detendo-se, principalmente, sobre os termos Urlinie e Ursatz, procura-se realizar um debate a respeito do significado de tais conceitos ...
Ivan Gonçalves Nabuco, Sérgio Paulo Ribeiro de Freitas   +1 more
doaj   +1 more source

Die frühe Schenker-Rezeption Hellmut Federhofers [PDF]

Zeitschrift der Gesellschaft für Musiktheorie, 2018
Der Aufsatz beschäftigt sich mit der frühen Schenker-Rezeption des österreichischen Musikwissenschaftlers Hellmut Federhofer (1911–2014), die in der Forschung bislang ebenso wenig Beachtung fand wie deren biographische und historische Voraussetzungen. Es
Thomas Wozonig
doaj   +1 more source

The Art of Modulating, Preludizing, and Fantasizing: Schenker’s Thoughts about Keys and Key Change Reconsidered

Orfeu, 2021
Although Heinrich Schenker certainly changed his mind about many topics, he never waivered in his belief that 1) current ways to explain modulation were fundamentally flawed; and 2) that modulation is best learned by improvising preludes and fantasies ...
John, Matthew
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‘The Whiteness’ of Music Analysis. A Gloss on Philip Ewell's Lamentation over Schenker

Musicology Today, 2022
The article is a polemic with the views formulated in 2020 by Philip A. Ewell in the Journal of the Society for Music Theory. His text is a critique of European music theory, mainly as represented in the writings by Heinrich Schenker.
Żerańska-Kominek Sławomira
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Rules Are Made to Be Broken, or the Menuetto of Beethoven’s Op. 2, No. 1

Orfeu, 2021
: A striking gesture appears at the climax of the first phrase of the Menuetto from Ludwig van Beethoven’s Sonata for Piano in F minor, Op. 2, No. 1. This motivic gesture, which may be understood as derived from manipulation of standard voice-leading ...
Poundie Burstein
doaj   +1 more source

E-quadruple flat: Tovey’s Whimsy [PDF]

Zeitschrift der Gesellschaft für Musiktheorie, 2011
This paper examines the development section of Beethoven’s Appassionata Sonata in light of Donald Francis Tovey’s whimsical remark about the appearance of an E-quadruple flat.
Eric Wen
doaj   +1 more source