Results 21 to 30 of about 39,718 (250)

Revisiting the Galant in Gjerdingenian Schemata

Music Analysis, Volume 42, Issue 3, Page 287-330, October 2023., 2023
ABSTRACT Robert Gjerdingen's schema theory focuses the long‐debated ‘galant’ style concretely onto an inventory of stock musical phrases, or ‘galant schemata’. The rich historico‐cognitive discourse sparked by this growing ‘schematicon’ has provided significant theoretical evidence for their historical situatedness, coherence and objectivity; however ...
Hainian Yu
wiley   +1 more source

The Principles and Techniques of Artur Schnabel’s Performance of the Piano Sonatas by Ludwig van Beethoven

Artistic Culture Topical Issues, 2023
The piano sonatas by Ludwig van Beethoven (1770–1827) represent the highest achievement of the First Viennese School in modern piano performance. The complexity and depth of the stage interpretation requires the study of the composer’s music based on its
Xu Dexin
semanticscholar   +1 more source

A Performance Interpretation of the Viennese Classics by the Example of Fantasia for Piano, Chorus and Orchestra in C Minor, Op. 80 by Ludwig van Beethoven

Studia Universitatis Babeş-Bolyai Musica, 2023
"The relevance of the study is determined by the need to cover the significance, uniqueness and means of performance of one of the masterpieces of the Viennese Classical School — Fantasia in c minor, op.
Nataliya Byelik-Zolotarova, Natalya Zolotaryova, Viacheslav Boiko, T. Sukhomlinova, Olena Zaverukha   +4 more
semanticscholar   +1 more source

“O espírito de Mozart pelas mãos de Haydn”: 250 anos de Ludwig van Beethoven [PDF]

Estudos Avançados, 2020
resumo Ao celebrar os 250 anos do nascimento de Ludwig van Beethoven (1770-1827), constata-se que sua obra preserva, intacto, o poder de fascinar seus ouvintes.
Eduardo Monteiro, Mônica Lucas
doaj   +1 more source

›Der leere Platz‹. Überlegungen zur Anfangswendung von Beethovens Streichquartett op. 130 [PDF]

Zeitschrift der Gesellschaft für Musiktheorie, 2012
In der zu Beginn des Streichquartetts B-Dur op. 130 von Ludwig van Beethoven exponierten melodischen Wendung b-a-as-g deuten sich zentrale Momente des weiteren Verlaufs der Komposition auf eine eigentümliche Weise an.
Benjamin Sprick
doaj   +1 more source

Composing in the scanner: A functional magnetic resonance imaging single case study on visual and auditory imagery

PsyCh Journal, Volume 11, Issue 5, Page 684-690, October 2022., 2022
Abstract “Seeing with the mind's eye” and “hearing with the mind's ear” are two common indicators of musical imagery, and they can be referred to as “visual” and “auditory” musical imagery. However, a question remains open, that is, whether visual and auditory imagery of the same musical composition share the same neural mechanisms.
Morteza Izadifar, Taoxi Yang, Marco Paolini, Arusu Formuli, Yan Bao   +4 more
wiley   +1 more source

The four-hand ensembles by Ludwig van Beethoven: search and gain

Revista Amazonía investiga, 2023
The original four-hand ensembles by L. Beethoven have not received the proper attention of scientists. The aim of the study is to evaluate the composer’s gain from the standpoint of the searches for new sonority and timbre variety.
Adilya Misitova, Ihor Sediuk, O. Kopeliuk, Olga Cherednychenko, Kateryna Pidporinova   +4 more
semanticscholar   +1 more source

CorpusVis: Visual Analysis of Digital Sheet Music Collections

Computer Graphics Forum, Volume 41, Issue 3, Page 283-294, June 2022., 2022
Abstract Manually investigating sheet music collections is challenging for music analysts due to the magnitude and complexity of underlying features, structures, and contextual information. However, applying sophisticated algorithmic methods would require advanced technical expertise that analysts do not necessarily have.
Matthias Miller, Julius Rauscher, Daniel A. Keim, Mennatallah El‐Assady   +3 more
wiley   +1 more source

An Analysis of Ludwig Van Beethoven's Opus 2 No.1 Sonata for Piano Teaching Purposes

Uludağ Üniversitesi Fen Edebiyat Fakültesi Sosyal Bilimler Dergisi, 2022
Ludwig van Beethoven's piano sonatas have an important place in piano education. The aim of this study is to analyze Beethoven's Opus 2 No 1 piano sonata for teaching purposes. The aforementioned sonata was analyzed in terms of "formal structure", "motif
Mecnun DİNÇER ATAN, Birsen Jelen
semanticscholar   +1 more source

Hölderlin kot spomenik umetnosti 19. in 20. stoletja

Muzikološki Zbornik, 2011
Naj Hölderlinovemu pesništvu pripisujemo še tako tehtne glasbene kvalitete, kljub temu ni bil preferenčen pesnik romantičnega samospeva. Že njegovi sodobni skladatelji, kot npr. Ludwig van Beethoven, ga niso upoštevali. Izjemo predstavlja Robert Schumann,
Helmut Loos
doaj   +1 more source