Results 21 to 30 of about 31,037 (192)
Revisión de la hipótesis de E. Panofksy del origen del punto de fuga
EGACercano a su centenario, el texto más influyente de la historia de la representación publicado en el siglo XX, La perspectiva como forma simbólica (1927) de Erwin Panofsky, sigue siendo el referente inexcusable sobre el que pivotan los principales ...
Inmaculada López Vílchez +2 more
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Perspectiva y visión. En el centenario de La perspectiva como forma simbólica, de Erwin Panofsky
EGAA punto de cumplirse ahora su centenario, el ensayo de Panofsky ha generado un vastísimo debate en el que ha sido presentado a menudo como el más sólido puntal para legitimar la exclusión de la perspectiva de la enseñanza y de la práctica artísticas ...
Rafael Alcayde Egea
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UNDERSTANDING AND INTERPRETATION AS THE FUNDAMENTAL CONCEPTS OF ICONOLOGY OF ERVIN PANOFSKY
Докса, 2015 In the article concepts «understanding» and «interpretation» from positions of iconological methodology of Ervin Panofsky are considered. The form of iconology, offered by Panofsky, is considered as a certain sort of hermeneutics named as art ...
Анна Рабокоровка
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On the accuracy of retrieved wind information from Doppler lidar observations [PDF]
, 2003 A single pulsed Doppler lidar was successfully deployed to measure air flow and turbulence over the Malvern hills, Worcester, UK. The DERA Malvern lidar used was a CO2 µm pulsed Doppler lidar.
Browning +14 more
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A framework for evaluating reproducibility and replicability in economics
Economic Inquiry, Volume 63, Issue 2, Page 338-356, April 2025.Abstract We propose a framework for evaluating reproducibility and replicability in economics. Reproducibility is defined as testing if the results of an original study can be reproduced using the same data and replicability is defined as testing if the results of an original study hold in new data.
Anna Dreber, Magnus Johannesson
wiley +1 more source
Perspective. Theories and experiments on the “veduta vincolata” (restricted sight) [PDF]
, 2014 The modern perspective admits the free rotation of the eye situated in the projection centre (restricted sight) and with this, and with the motion of the eye, it is capable of simulating even the impression of curvature of the visual field that Panofsky ...
Migliari, Riccardo, Romor, Jessica
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The Appreciation Game. A Monist Ontology of Works of Art
European Journal of Philosophy, EarlyView.Abstract A pluralist ontology of art states that works of art can belong to distinct ontological categories whereas a monist ontology states that all works of art belong to one ontological category. A monist ontology would be preferable since it is more informative about the nature of art, and may pave the way for a definition of art.
Enrico Terrone
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Renaissance Studies, EarlyView.ABSTRACT During the fifteenth and sixteenth centuries, there was no statutory difference between cartography, drawing and painting. These activities were performed then by craftsmen who were part of a vast group under the umbrella of ‘mechanical arts’ and fell under the ‘artifex’ category. Artifex were experts in any particular art, whether a craftsman,
Vasco Medeiros
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The Tolnay–Panofsky affair or, loyalty to the youth: Max Dvořák, the Vienna School, and the Sunday Circle [PDF]
Journal of Art Historiography, 2020 The conflict between Charles de Tolnay and Erwin Panofsky that grew unprecedentedly acrimonious in the history of the discipline – the so-called Tolnay–Panofsky affair – was more than mere personal bickering. The documents clearly reveal that the ‘affair’
Csilla Markója, Kata Balázs
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A moment in time: from the digital record of a migrating library [PDF]
, 2005 This paper draws on the work of the Arts & Humanities Research Council-funded Glasgow Cassirer Project, which makes correspondence and documents relating to the German philosopher Ernst Cassirer (1874-1945) available online. The paper concentrates on
Whitaker, G.
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