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The drama of being: Levinas and the history of philosophy
Continental Philosophy Review, 2006The motif of the ‘drama of being’ is a dominant thread that spans the entirety of Levinas's six decades of authorship. As we will see, from the start of his writing career, Levinas consciously frames the tension between ontology and ethics in a dramatic form. A careful exposition of this motif and other related theatrical metaphors in his work–-such as
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The Role of Philosophy in the Development of Tragic Drama
1993Originally a celebration of the mysteries of the Dionysiac cult, tragedy developed into another artform in which the human predicament was represented as exhibiting the moral values of character and action. Such artistic representations were susceptible of generating a response in an audience made up of sensitized human beings who were capable of ...
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Man’s Destiny in Tischner’s Philosophy of Drama
2011One of the most known of Roman Ingarden’s pupils is undoubtedly Jozef Tischner (1931–2000), whose anthropological and ethical views, approached from the point of view of man’s destiny, are presented and discussed in the paper. The views are an example of original and creative achievement of Polish contemporary philosophy, stemming out of phenomenology,
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Joyce, philosophy and the drama of authorship
2015This thesis will examine the representation, consequence and transformation of the idea of authorship in the work of James Joyce and suggest a way of re-addressing the contentious question of authorship. While postmodern criticism has emphasised the “revolutionary” cultural and political ramifications of Joyce’s response and the ways that his work has ...
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The Drama of the Subject of Responsibility in the Philosophy of Emmanuel Lévinas
2022The purpose of the following article is to trace the boundaries and methods used in eidetic phenomenology related to the access to the very method of showing the sense of phenomena, carried out on the example of phenomenology present in Emmanuel Lévinas’ writings.
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