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The Drama of Philosophy

Perspectives on Political Science, 2011
Catherine Zuckert's Plato's Philosophers argues that the central concern of the Platonic dialogues, read as a single corpus, is to examine the character of philosophy as represented in the activiti...
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Introduction: Drama and Philosophy 2.0

Modern Drama, 2013
In his prefatory note to A Study of the Drama, from 1910, Brander Matthews lists philosophy as one of four primary categories to be used in assessing the merits of any playscript (v). His use of the term is essentially vernacular: philosophy, in his explanation, encompasses “a message of high importance” and a “vision of human life” (217).
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The Role of Philosophy in the Development of Tragic Drama

1993
Originally a celebration of the mysteries of the Dionysiac cult, tragedy developed into another artform in which the human predicament was represented as exhibiting the moral values of character and action. Such artistic representations were susceptible of generating a response in an audience made up of sensitized human beings who were capable of ...
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The drama of being: Levinas and the history of philosophy

Continental Philosophy Review, 2006
The motif of the ‘drama of being’ is a dominant thread that spans the entirety of Levinas's six decades of authorship. As we will see, from the start of his writing career, Levinas consciously frames the tension between ontology and ethics in a dramatic form. A careful exposition of this motif and other related theatrical metaphors in his work–-such as
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Man’s Destiny in Tischner’s Philosophy of Drama

2011
One of the most known of Roman Ingarden’s pupils is undoubtedly Jozef Tischner (1931–2000), whose anthropological and ethical views, approached from the point of view of man’s destiny, are presented and discussed in the paper. The views are an example of original and creative achievement of Polish contemporary philosophy, stemming out of phenomenology,
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