Results 51 to 60 of about 1,349 (121)
Faces, Close-ups and Choreography: A Deleuzian Critique of So You Think You Can Dance
The International Journal of Screendance, 2014 In everyday life the face occupies a central position within human expression and social interaction: its features are perceived to present a unique identity, and we breathe, consume and communicate through our faces.
Sherril Dodds, Colleen Hooper
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Digital inscriptions and the dancing body: Expanding territories through and with the archive [PDF]
, 2014 This article will reflect on British choreographer Siobhan Davies and her changing relationship with her own digital archive, Siobhan Davies RePlay, to explore the creative potential of archives for dance artists, and the ways in which artists engage ...
Whatley, Sarah
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Anarchiving a Screendance Archive. Reenacting Choreographic Traces within Museo Madre [PDF]
, 2020 This essay draws attention to the screendance archive of Il Coreografo Elettronico Festival stored within Museo Madre of Naples and curated in collaboration with a team of scholars from the Sapienza University of Rome.
Monda, Letizia Gioia
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The dancing eyes of the director: choreographers, dance cultures, and film genres in British music video 1979–2016 [PDF]
, 2017 This article looks at the work of choreographers in British music video from Arlene Phillips (founder of Hot Gossip), to FKA Twigs and Wayne McGregor. The first section presents an overview of the development of genres of dance and choreography in music ...
Caston, Emily
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Magic Mike, Dirty Dancing, and the (Empty) Promise of Heteromasculinity
The International Journal of Screendance, 2018 In 1987, Eddie Murphy performed a comic sketch about white men dancing that would inform future movers and makers of white male dancing in American popular culture, helping to create a trope mocking white men for their inability to dance, most often ...
Addie Tsai
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, 2020 L’incontro fra la danza classica, moderna contemporanea e il mondo dell’immagine in movimento produce la nascita di un genere, la Screendance, nella quale i due ambiti sono indissolubilmente legati per sperimentare il rapporto fra corpo, immagine e movimento.
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IJSD Volume 6 2016 Field Perceptions: Full Issue
The International Journal of Screendance, 2016 The full issue of IJSD vol. 6 (2016). Please note: For the best offline reading experience, please print double-sided on 8.5x11 paper. Links to online sources are live in the PDF if read onscreen.
Harmony Bench, Simon Ellis
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The International Journal of Screendance, 2019 A review of Dance’s Duet with the Camera: Motion Pictures edited by Telory D. Arendell and Ruth Barnes.
Elisa Frasson
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Scratching the surface of spectacle: Black hypermasculinity and the Television Talent Show
The International Journal of Screendance, 2018 This study explores the construction of black hypermasculinity in television talent show competitions through the re-valuing of spectacle as an aesthetic experience. Drawing on a screendance analysis of eighteen duet, trio and group performances featured
Laura Helen Carol Robinson
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