Results 41 to 50 of about 5,451 (161)
Tennessee Williams in translation : retour sur la première traduction en français de Camino Real
This text is a transcription of Bertrand Augier’s paper at the ACT symposium (Anglophone Contemporary Theatre – Laboratoire CAS/Univ. Toulouse Jean Jaurès ; dir.
Bertrand Augier
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Translating Shakespeare for the theatre Translating Shakespeare for the theatre
Translate Shakespeare for the theatre? The question is not purely rhetorical. In his Memoires, Jean Vilar, speaking of his work as an actor, raises the question of whether it is even possible to translate dramatic texts: Macbeth. Whilst learning my part alone at home in the morning, I keep on saying to myself , ‘Never again will I ...
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Przekłady oper Giacoma Pucciniego – normy translatorskie a polska tradycja teatralna
Giacomo Puccini’s Opera Translations – Standards in Translation and Polish Theatrical Tradition The paper will discuss the translations of Giacomo Puccini’s operatic librettos that are present in Polish opera theaters, the Great Theatre – National ...
Agnieszka Muszyńska‑Andrejczyk
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Harold Pinter in Slovene Translation
This article examines the translation of Harold Pinter’s most notable stylistic peculiarities into Slovene, illustrating its main points with examples taken from his play The Homecoming.
Darja Hribar
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Theatres Shaken by the 3/11 Quake in Japan
Many people engaged in theatre making and management were faced with many difficult problems after the gigantic earthquake hit Japan on 11 March 2011. Should they cancel the shows? How can they help people in the most affected areas through theatre? And,
Hiroyuki Masaki
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Commissioned by the E.U.-funded project, Fabulamundi: Playwriting Europe Beyond Borders, this report assesses current practices, perceptions and norms in the field of contemporary playwriting and the translation of contemporary plays in nine different ...
Margherita Laera
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Funtasy on the fair theatre stageWhy is the comic effect of plays with a fairy-tale setting staged at Fair Theatres, during the first half of the 18th century, ten times more diversified and intense than the comic features of tales or regular comedies ...
Nathalie Rizzoni
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"In 1930 Sibilla Aleramo translated the play Dom kobiet by Polish writer Zofia Nałkowska into Italian. This three-act drama, probably the first play with only female characters in the history of theatre, was set in Warsaw the same year and was suddenly
Anita Kłos
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In the race to secure the sub-rights to Amanda Gorman’s ground-breaking performance at the 2021 United States presidential inauguration, a high-profile case emerged in which the translator appointed by Dutch publisher Meulenhoff returned the commission,
Sarah Maitland
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Fictional dialogues, termed prefabricated orality, involve the use of features often associated with spoken language, and discourse markers are frequent markers of orality that pose a challenge for translators due to their multifunctionality.
Olaia Andaluz-Pinedo
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