Results 181 to 190 of about 3,241 (199)
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2011
Audiovisual translation essentially refers to the translation of film and television products and it is texts of this type that the talk will focus on, while still recognising that phenomena such as interactive websites and mobile phone technology are rapidly expanding the field.
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Audiovisual translation essentially refers to the translation of film and television products and it is texts of this type that the talk will focus on, while still recognising that phenomena such as interactive websites and mobile phone technology are rapidly expanding the field.
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Translation studies, audiovisual translation and reception
2018Abstract Reception of translated texts has thus far received relatively scant, uneven attention in Translation Studies (TS), even though reception studies theories have been applied in the last decades, first to literary translation and then touching upon other areas and text types. This chapter reports on the development of
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2016
Audiovisual translation dating back to the silent film era is a special translation method which has been developed for the translation of the movies and programs shown on TV and cinema. Therefore, in the beginning, the term “film translation” was used for this type of translation.
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Audiovisual translation dating back to the silent film era is a special translation method which has been developed for the translation of the movies and programs shown on TV and cinema. Therefore, in the beginning, the term “film translation” was used for this type of translation.
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Audiovisual translator training
2018This chapter presents relevant pedagogical and methodological approaches to translation training that have influenced the way reader understand. It focuses on well-established curricular design models to address selected key aspects of audiovisual translation (AVT) training, namely audiovisual translator competences, content design, resources, tasks ...
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Translating humour in audiovisual translation
2014Humour found in audiovisual products is, of course, performative in nature. If we consider instances of humour – any droll moment occurring in today’s fare of mixed-genre products as a composite of cognition, emotion, interaction and expression – we see that the verbal code becomes just one component of four equally significant elements.
De Rosa G. L. +3 more
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