Results 171 to 180 of about 15,765 (243)
Narrative formatting, chronotopic orderings, and moralization in ex‐gay stories
Abstract Formatted stories rely on spatiotemporal cues to evoke recognizability through linearity, which prescribes a particular template for meaning‐making. This article examines stories narrated by ex‐gay members of a Christian organization in Singapore and considers how chronotopes within the stories are ordered to regiment ways of feeling for ...
Vincent Pak
wiley +1 more source
How Cultural Involvement in Different Brand Types Influences Willingness to Pay Premium: The Mediating Role of Brand Happiness. [PDF]
Zhou Z, He Y, Xie Y, Mehmood S.
europepmc +1 more source
Puzzles in bonding and spectroscopy: the case of dicarbon. [PDF]
Macrae RM.
europepmc +1 more source
The Crescent Student Newspaper, November 16, 1984
Student newspaper of Pacific College (later George Fox University).
George Fox University Archives
core +1 more source
Reading Nietzsche in an Age of Conspiracy Theories
Abstract This essay considers Friedrich Nietzsche's critique of Christian morality as a template for interpreting the epistemology of modern conspiracy theorists. The first section elucidates Nietzsche's notion of ressentiment as it can be applied to contemporary conspiracism. The effectiveness of this comparative assessment thus raises the question of
J.W. Olson
wiley +1 more source
Credibility-based knowledge graph embedding for identifying social brand advocates. [PDF]
Abu-Salih B +4 more
europepmc +1 more source
Review Of Fundamentalism And American Culture By G. M. Marsden [PDF]
Frost, J. William
core +1 more source
The Material and Textual Value of Manuscript and Print Binding Waste☆
Abstract In 2019, the Foundation of Christ's Hospital at Lincoln made a bequest of early printed books to the Bodleian Library. The collection is rich in sixteenth‐century tooled bindings, many of which preserve manuscript and printed waste in the form of pastedowns, endleaves and endleaf guards.
Tamara Atkin
wiley +1 more source

