Results 71 to 80 of about 3,583,329 (296)

Mechanisms of parasite‐mediated disruption of brain vessels

open access: yesFEBS Letters, EarlyView.
Parasites can affect the blood vessels of the brain, often causing serious neurological problems. This review explains how different parasites interact with and disrupt these vessels, what this means for brain health, and why these processes matter. Understanding these mechanisms may help us develop better ways to prevent or treat brain infections in ...
Leonor Loira   +3 more
wiley   +1 more source

Planting the Seeds of Artistic Subversiveness in À Bout De Souffle: Godard’s Trailblazing Cinematic Language

open access: yesStudies in Logic, Grammar and Rhetoric, 2020
The following article frames a particular case study: Jean-Luc Godard’s À bout de souffle (1960), referenced in the paper with its American title, Breathless. Foraging through the dense and sophisticated thicket of narrative, visual and textual features,
Kendall James
doaj   +1 more source

Multiple ETS family transcription factors bind mutant p53 via distinct interaction regions

open access: yesFEBS Letters, EarlyView.
Mutant p53 gain‐of‐function is thought to be mediated by interaction with other transcription factors. We identify multiple ETS transcription factors that can bind mutant p53 and found that this interaction can be promoted by a PXXPP motif. ETS proteins that strongly bound mutant p53 were upregulated in ovarian cancer compared to ETS proteins that ...
Stephanie A. Metcalf   +6 more
wiley   +1 more source

Stekliannyi Glaz (The Glass Eye) and Karmen – The Actress, Editor and Director Lilia Brik

open access: yesApparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2018
In this work I hope to illustrate how female authorship emerged within the circle of the Soviet avant-garde, using the example of Lilia Brik’s (1891–1978) little-known film Stekliannyi glaz, released in 1929.
Adelheid Heftberger
doaj   +1 more source

Artificial and Natural Genetic Information Processing [PDF]

open access: yes, 2017
Conventional methods of genetic engineering and more recent genome editing techniques focus on identifying genetic target sequences for manipulation.
Witzany, Guenther
core  

Conserved structural motifs in PAS, LOV, and CRY proteins regulate circadian rhythms and are therapeutic targets

open access: yesFEBS Letters, EarlyView.
Cryptochrome and PAS/LOV proteins play intricate roles in circadian clocks where they act as both sensors and mediators of protein–protein interactions. Their ubiquitous presence in signaling networks has positioned them as targets for small‐molecule therapeutics. This review provides a structural introduction to these protein families.
Eric D. Brinckman   +2 more
wiley   +1 more source

Authoring from the Shadows: Creativity and the Film Archive in The Autobiography of Nicolae Ceaușescu

open access: yesApparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2018
Dana Bunescu is one of the most recognized and appreciated Romanian film editors, a key figure in the landscape of New Romanian cinema. This essay will address Bunescu’s artistic contribution as an essential part of the collective film author.
Raluca Iacob
doaj   +1 more source

Cell wall target fragment discovery using a low‐cost, minimal fragment library

open access: yesFEBS Letters, EarlyView.
LoCoFrag100 is a fragment library made up of 100 different compounds. Similarity between the fragments is minimized and 10 different fragments are mixed into a single cocktail, which is soaked to protein crystals. These crystals are analysed by X‐ray crystallography, revealing the binding modes of the bound fragment ligands.
Kaizhou Yan   +5 more
wiley   +1 more source

Film Editing as Women’s Work: Ėsfir’ Shub, Elizaveta Svilova, and the Culture of Soviet Montage

open access: yesApparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2018
This study takes as its point of departure the history and contributions of two Soviet editors/directors – Ėsfir’ Shub and Elizaveta Svilova – in order to make visible what has largely remained invisible: film editing as “women’s” work.
Lilya Kaganovsky
doaj   +1 more source

Home - About - Disclaimer - Privacy