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The pragmatics of audiovisual translation: Voices from within in film subtitling [PDF]
This article focuses on film subtitles, as a distinctive instantiation of cinematic discourse and a distinctive form of translation. Like dubbing and audiovisual translation more broadly, interlingual subtitling is increasingly recognised as a meaning ...
Marie-Noëlle Guillot
exaly +2 more sources
Audio-visual Translation and Nigerian Cinematography: Subtitling and Dubbing from English and Indigenous Languages in Favour of French [PDF]
This article focuses on the audio-visual translation adopted by Nigerian film industry to popularize her local languages by using English and French to publicise her film works through dubbing or subtitling.
Babatunde Olukayode Temidayo +1 more
exaly +2 more sources
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2017
Perfect Blue is an anime (Japanese animation) film directed by Kon Satoshi released in 1997. The film revolves around a female idol (a pop star) named Mima who quits her career as an idol to become an actress. She gradually loses her mind, as the pressures from her acting career, her managers, fans and a stalker catch up to her. Perfect Blue touches on
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Perfect Blue is an anime (Japanese animation) film directed by Kon Satoshi released in 1997. The film revolves around a female idol (a pop star) named Mima who quits her career as an idol to become an actress. She gradually loses her mind, as the pressures from her acting career, her managers, fans and a stalker catch up to her. Perfect Blue touches on
openaire +2 more sources
Film translations, mainly subtitling and dubbing, have been the key for many to explore and understand films beyond their nationality and spoken language. However, these two methods of interlingual communication are conditioned by a myriad of translation affordances, making them difficult and sometimes impossible to perfect.
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Audio subtitling: dubbing and voice-over effects and their impact on user experience
Perspectives: Studies in Translation Theory and Practice, 2021Gonzalo Iturregui-Gallardo
exaly

