Results 41 to 50 of about 5,391 (189)

The Role of Adele T. Katz in the Early Expansion of the New York "Schenker School"

Current Musicology, 2002
In 1927, Heinrich Schenker named New York as the first North American city in which his ideas were spreading, though he was not specific as to the means of transmission.l Four years later, however, the chief point of con-tact would be clear, as ...
David Carson Berry
doaj   +1 more source

On Synergies of Schema Theory and Theory of Levels. A Perspective from Riepel’s Fonte and Monte [PDF]

Zeitschrift der Gesellschaft für Musiktheorie, 2015
Using specific examples I want to examine the extent to which the schema concept and the Schenkerian concept of hierarchical organized tonal structures may interlock or, at least, illuminate each other.
Folker Froebe
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L’élaboration du matériau musical dans les dernières oeuvres vocales de Claude Vivier [PDF]

, 2008
Les mêmes principes stylistiques animent les cinq dernières oeuvres vocales de Claude Vivier (Lonely Child, Bouchara, Prologue pour un Marco Polo, Wo bist du Licht !, Trois airs pour un opéra imaginaire).
Levesque, Patrick
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›Thematicism‹: Geschichte eines analytischen Konzepts in der nordamerikanischen Musiktheorie [PDF]

Zeitschrift der Gesellschaft für Musiktheorie, 2009
Seit der Veröffentlichung von Rudolf Rétis Monographie The Thematic Process in Music (1951) wird das Konzept ›thematicism‹ in bestimmten Bereichen der Analysetheorie in Nordamerika rezipiert.
Felix Wörner
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Thank you to Reviewers 2021

, 2023
Cancer Medicine, Volume 12, Issue 3, Page 3845-3901, February 2023.
wiley   +1 more source

Zygonic Theory: Introduction, Scope, and Prospects [PDF]

Zeitschrift der Gesellschaft für Musiktheorie, 2009
This extended article introduces Adam Ockelford’s ‘zygonic’ theory of music-structural understanding, which holds that imitation, which can occur in all domains of perceived sound and at all levels, is the ultimate organising force in music.
Adam Ockelford
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Schenker against the Pack: Controversial Hypermetres in Bach's Prelude No. 1 in C major, The Well‐Tempered Clavier Book I

Music Analysis, Volume 44, Issue 1, Page 3-43, March 2025.
ABSTRACT Is musical analysis meant to guide performance – or to be based on it? Can a Schenkerian analysis of a piece be corroborated by a performance or an arrangement? This article addresses these questions through a well‐known test case – the first prelude of the first book of Bach's Well‐Tempered Clavier, as analysed by Heinrich Schenker in Five ...
NAPHTALI WAGNER, RAM REUVEN
wiley   +1 more source

Nacionalismo objetivo en la danza característica de Leo Brouwer: un estudio analítico a través de las propuestas teóricas de Larue y Schenker

Ricercare, 2015
El presente escrito exhibe un análisis de la Danza característica de Leo Brouwer a través del cual se evidencian tanto las disímiles maneras en que el compositor cubano involucra en su discurso sonoro guitarrístico elementos arquetípicos de la música ...
Mauricio Arcos Rodríguez
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Tonalität in Franz Schuberts späten Sonatenformen. Überlegungen zum Kopfsatz des Klaviertrios B-Dur D 898 [PDF]

Zeitschrift der Gesellschaft für Musiktheorie, 2009
Der nachfolgenden Untersuchung liegt die Annahme zugrunde, dass Tonalität in der Musik des ausgehenden 18. Jahrhunderts als ›Ursatz-Tonalität‹ (im Sinne Heinrich Schenkers), Tonalität in Werken ab etwa Mitte des 19.
Stefan Rohringer
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The algebra of happiness: Yevgeny Zamyatin’s we [PDF]

, 2015
The article was submitted on 05.06.2015.Yevgeny Zamyatin’s novel We is one of the most important “Utopian-Dystopian” novels of the first half of the 20th century and was originally considered a criticism of the Communism established in Russia after the ...
Базиле, Дж. М.
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