Results 61 to 70 of about 506 (151)

Autorské knižní paratexty (nad edičními počiny Josefa Škvoreckého z 90. let dvacátého století)

open access: yesBohemica Litteraria, 2013
The paper deals with the book paratexts by Josef Škvorecký published in the books of 1990s. Authorial paratexts are integral and important parts of literary production.
Lenka Müllerová
doaj  

“If You Can Change Your Name, You Can Write”: Pseudepigraphy in Antiquity and Its Function in 1 Apocryphal Apocalypse of John

open access: yesReligions
This article attempts to answer the following question: why did the author of the apocryphon called 1 Apocryphal Apocalypse of John choose to efface himself and adopt John as his pseudonym? Why not Peter or Paul?
Cristian Daniel Cardozo Mindiola
doaj   +1 more source

(Re)Assessing the Adaptation of Audiovisual Taboo Content: The Role of Paratextual Information

open access: yesMediAzioni
This paper focuses on a recent shift in the adaptation of taboo language and content that has been happening over the last few years in the dubbing and subtitling of audiovisual content for the entertainment industry. While previous research on the cross-
Chiara Bucaria
doaj   +1 more source

‘A different fabric’. The overt and the hidden in Joseph Conrad’s prefaces to his prose works

open access: yesNapis, 2022
In A Familiar Preface to the ‘autobiographical’ volume A Personal Record. Some Reminiscences, Joseph Conrad provides that, in this work, there is no ‘veil’ separating the reader from the author.
Marek Pacukiewicz
doaj  

‘Notebook Literature’: Virginia Woolf and Marion Milner

open access: yes
Critical Quarterly, Volume 66, Issue 3, Page 4-37, October 2024.
Helen Tyson
wiley   +1 more source

Intertextuelle Verhandlungen. Zur Kafka‐Rezeption in der afrikanischen Literatur

open access: yes
The German Quarterly, Volume 97, Issue 4, Page 536-539, Fall 2024.
Nadjib Sadikou
wiley   +1 more source

Parlando di libri. Recensioni, introduzioni, prefazioni, postfazioni e schede bibliografiche pubblicate da Umberto Eco dal 1953 al 1968

open access: yesOcula
The present paper serves as a first systematic study on one of the lesser-known aspects of Umberto Eco's work, namely the one concerning his paratextual production.
Michele Marmo
doaj  

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