Results 81 to 90 of about 187 (110)

The tyranny of the tool: surtitling live performances

Perspectives, 2013
Surtitling is a complementary communication system that renders the verbal utterances taking place on stage into a written format and makes this accessible to members of the audience. Beyond the decisions of the professionals involved in the surtitling process, many of the characteristics related to surtitling content and its format are determined by a
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The Art and Craft of Opera Surtitling

2009
While subtitles are translated text displayed below the image, as on a cinema or television screen, surtitles are displayed above the stage, in live opera or theatre performances (some opera companies refer to these as ‘supertitles’). Subtitling and surtitling involve differing requirements and techniques.
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Opera surtitling in Poland: an uncharted area of AVT?

Poznan Studies in Contemporary Linguistics, 2018
AbstractAudiovisual translation has become a common subject of a number of scientific articles, special issues of translation journals or conferences. It may seem that this fascinating area of research has been examined thoroughly and may only be investigated further from the point of view of technological improvements in human communication.
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The Drama of Surtitling: Ever-Changing Translation on Stage

2020
Theatre surtitling has evolved from subtitling to create a new and independent audiovisual translation (AVT) modality. From its inception in opera houses, it has developed its own features and translation techniques. It is a modality that relies highly on technique, offering a vast range of artistic possibilities, that theatre companies are already ...
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Surtitling Puppet Performances

2004
In surtitling research, attention is usually directed to the linguistic dimension of texts alone, while aspects of visual and acoustic message have often been disregarded. This paper intends to explore the contribution of image and sound to the practices that adjust surtitles to the needs of a particular performance.
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surtitle, n.

2023
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The acrobatics of theatre surtitling

2023
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Review essay: LollaPalooka: Ashita no Ma-Joe: Rocky Macbeth, Written and Directed by Murai Yu. Performed in Japanese by Murai's company Kaimaku Pennant Race, with surtitles. Five Performances: 15–18 May 2019, at Japan Society in New York City

Asian Theatre Journal, 2021
John K Gillespie
exaly  

Surtitling for Play Performance: a Theory and Practices

Comparative Literature, 2017
Hyunji Kim, Sung-Won Cho
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Translation, adaptation, and surtitling of Shakespeare’s The Tempest into Italian

European Journal of English Studies
This work explores how translation, adaptation, and surtitling interact under the constraints of live performance and the technical limitations of audiovisual translation. To this end, it examines Alessandro Serra’s Italian translation (in collaboration with Donata Feroldi) and his stage adaptation of The Tempest.
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