Results 61 to 70 of about 187 (110)

Surtitling: Surtitles an other hybrid on a hybrid stage [PDF]

, 2009
Griesel, Yvonne
core  

Watching in translation - Performance and the reception of surtitles [PDF]

, 2002
Skantze, PA; id_orcid
core  

To hear, to see, to read : how surtitles influence the contemporary operatic landscape [PDF]

, 2020
Ożarowska, Aleksandra
core  

Misiou, Vasiliki and Kostopoulou, Loukia (Eds.) (2024). New Paths in Theatre Translation and Surtitling

The Journal of Specialised Translation
openaire   +2 more sources

Surtitles and the multi-semiotic balance [PDF]

Benjamins Translation Library, 2020
Abstract When surtitles were first introduced, in 1982, they were intended to make opera accessible to a larger audience. They fulfilled the basic requirement of maximum comprehension, minimum distraction.
Judi Palmer
exaly   +3 more sources

Surtitles for Opera [PDF]

Babel, 2002
La creation de surtitres pour les operas est un travail specialise, invente dans les annees 1980. Cet article explore les specificites du surtitrage, en soulignant a quel point il se distingue d'autres manieres de traduire les operas, et surtout en quoi il se distingue du sous-titrage des films - par exemple, on prepare les surtitres avant et durant ...
Peter Low
exaly   +6 more sources

Reception, text and context in the study of opera surtitles [PDF]

Benjamins Translation Library, 2007
Opera surtitles have not received much attention within Translation Studies – not even within the field of multimedia translation, in which they belong – and it is the purpose of this paper to deepen our understanding of this translation type. The communicative context closely determines textual strategies for surtitles, which are
Marta Mateo, Mateo Martínez-Bartolomé, Marta   +1 more
exaly   +3 more sources

Some of the next articles are maybe not open access.

Related searches:

Surtitles take the stage in Franco-Canadian theatre

Target, 2013
Faced with the need to expand their audience, small Franco-Canadian theatre companies are experimenting with various on-stage translative strategies, such as surtitles, to reach audiences with diverse linguistic and cultural profiles. Not only do they explore their bilingualism in plays that incorporate Canada’s two official languages, they enhance the
Louise Ladouceur
exaly   +2 more sources

English Translations and Surtitles for the Public Performance: Rationale and Practicalities [PDF]

, 2017
Nicoletta Marini-Maio
exaly   +3 more sources