Results 31 to 40 of about 464 (137)
Conserveries Mémorielles, 2018 Videogames are interactive works, which means that their meaning is actualized when the software is played. With the interactive loop, the player contributes to reorganize in an always new way the different narrative elements, but it is above all the ...
Martin RINGOT
doaj
British Journal of Special Education, Volume 52, Issue 2, Page 157-170, June 2025.Abstract Drama is a subject through which pupils can explore and develop their social learning. Previous research into drama‐based pedagogy has predominantly centred on outcomes that benchmark Autistic socialising against non‐Autistic standards. This corrective ideology has been critiqued in the light of emerging research into the damaging impact of ...
Elise Robinson, Laura Crane
wiley +1 more source
Le passage du jeu à la création : le cas du jeu vidéo amateur
Sciences du Jeu, 2017 The field of amateurs using game creation tools (Unity, Construct 2, RPG Maker, etc.) has been, up to now, little explored. Yet, the activity is important quantitatively and heterogeneous qualitatively.
Pierre-Yves Hurel
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Le jeu vidéo comme objet culturel. Quelles perspectives pour l’hispanisme ?
L'Âge d'or, 2023 Le jeu vidéo, comme objet de recherche, questionne ce qui relève du domaine de l’empirique dans l’hispanisme, à savoir les frontières et le cadre général de la discipline.
Marc Marti
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The artisanal underground: gold, subsistence, and subsurface materiality in Colombia
Journal of the Royal Anthropological Institute, Volume 31, Issue 2, Page 353-375, June 2025.Abstract This article focuses on subsurface materiality to explore how small‐scale gold miners in Colombia navigate formal politics. In much critical research, the underground appears as a space of great developmentalist ambition, whose resources enable corporate expansion and bureaucratic rule.
Jesse Jonkman
wiley +1 more source
Jeu d’auteurs : The Beginner’s Guide de Davey Wreden
Interfaces Numériques, 2018 Cet article propose l’analyse esthétique des nouvelles formes d’écritures interactives dans le champ du jeu vidéo à travers l’exemple du jeu de Davey Wreden, The Beginner’s Guide (TBG).
Claire Siegel, Patrice Cervellin
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Journal of the Royal Anthropological Institute, Volume 31, Issue 2, Page 565-583, June 2025.This article offers ‘stages’, an original device, to sharpen the focus on a particular divinatory economic performance: the folding of imagined profitable futures into the present to create the impression that profitable futures are imminent or already realized.
Yathukulan Yogarajah
wiley +1 more source
Enhancing Temperature Responsiveness of PNIPAM Through 3D‐Printed Hierarchical Porosity
Advanced Functional Materials, Volume 34, Issue 41, October 8, 2024.The responsiveness of PNIPAM hydrogels is enhanced by incorporating sub‐micrometer porosity into the material through polymerization‐induced phase separation (PIPS), followed by introducing millimeter scale pores via 3D printing, thereby rendering the material with hierarchical porosity.
Weiyi Liu +8 more
wiley +1 more source
Étudier le design sonore vidéoludique par l’écoute
Nouveaux Cahiers de MargeCe texte propose de définir le design sonore vidéoludique, de qualifier sa relation avec l’écriture sonore vidéoludique, et de présenter une méthode pour l’analyser. Dans un premier temps, plusieurs définitions seront formulées. Ainsi, le design
Charles Meyer
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Habiter les écologies fantasy : la littérature face au dispositif vidéoludique
Hybrid, 2018 Dès les années 1970, le jeu vidéo s’intéresse de manière déterminante au récit. Quels impacts cette forme d’art, native d’un milieu technique marqué par l’informatique, a-t-elle sur notre manière d’appréhender le texte littéraire, de faire l’expérience ...
Pierre-Louis Patoine
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