Results 21 to 30 of about 187 (110)
Simplification in subtitling filmic Beijing Opera [PDF]
, 2021 In recent years, opera translation and surtitling has become a field of growing popularity in translation studies. While current research often revolves around opera in the western countries or opera translation for the stage, this paper aims to explore ...
Yuan, Yilei, Qian , Duoxiu
core +4 more sources
Surtitling today: new uses, attitudes and developments
Linguistica Antverpiensia, New Series – Themes in Translation Studies, 2021 Surtitling has exerted a noticeable twofold effect on the opera world, in which it originated: it has contributed substantially to increasing the number of opera goers, making opera more accessible and “audience-friendly” and changing audiences’ expectations towards their operatic experience, which has in turn affected the reception of works in the ...
openaire +2 more sources
Analysis on Performing Theatrical Performance Matinya Seorang Pahlawan (1992) For Non - Malay Speakers in London [PDF]
, 2020 Matinya Seorang Pahlawan (1992) was one of Malay language theatrical performances that has been performed overseas for non-Malay speakers in SOAS, London. Therefore, surtitles has been introduced in theatre world to overcome the language barrier issue.
Muhammad Qawiem, Hamizan +1 more
core
Surtitles: a New Text Between Libretto, Score, Translation and Performance [PDF]
, 2014 Since 1980s opera companies regularly offer to their audience a translation of the sung text projected on a screen above the stage or on a small device for individual spectators (e.g. in the Milan Scala).
Wijnants, Johan
core
Polyphony and politics: Representing and translating culture, race and gender in Puccini’s Turandot
JoSTrans: The Journal of Specialised TranslationIn the context of a more radical and critical climate of opera performance and audience response, this article investigates the representation and performance of Chinese-related images, characters and themes in various productions of Puccini’s Turandot,
Benang Xuan
doaj +1 more source
Session 12. Music and sound [PDF]
, 2021 Putting the 'pop' into J-pop: using creative subtitles to promote Japanese popular music globally / Sarah Maitland (Goldsmiths, University of London), David Heath (Kanto Gakuin University) ; Real answers behind translation choices: interviewing agents ...
Heath, David +5 more
core
How to translate on stage: The role of Franca Rame in translation history
Encounters in TranslationThis article discusses the role of actress and playwright Franca Rame (1929-2013) in the international success of her creative partnership with Dario Fo, particularly when it comes to on- and off-stage translations of their theatrical production.
Anna Saroldi
doaj +1 more source
Session 14. Accessibility [PDF]
, 2021 Accessibility for the deaf and hard of hearing in Lithuania / Jurgita Austrauskien (Vilnius Universit) ; Mediascapes in the accessibility of migrant narratives / Alessandra Rizzo (University of Palermo), Cinzia Spinzi (University of Bergamo), Gian Maria ...
Lorier, Leticia +9 more
core
Rhetoricising and poeticising gender performativity in English translations of Cantonese opera
Humanities & Social Sciences CommunicationsCantonese opera, as an item on the Intangible Cultural Heritage list, gained widespread popularity in Hong Kong from the 1930s to the 1980s. However, the limited translation of Cantonese opera into English from this period onwards has been rather ...
Kelly Kar-Yue Chan
doaj +1 more source
Canonical texts in the audiovisual context: surtitlingEugene Oneginfor Polish audiences [PDF]
Perspectives, 2020 The article aims to discuss Polish surtitles for the opera Eugene Onegin by Pyotr Tchaikovsky staged at the Polish National Opera in Warsaw.
openaire +2 more sources